Playing in an ensemble is harder than the musicians in penguin suits make it look. To be a successful and good sounding band/group, there has to be a balance of the vibrations of every different instrument. If one section thinks they are heroes and plays too loud, then the rest of the band will sound insignificant. The band is like a teeter-totter; without a counter balance, it wouldn’t be fun, and without balance between the sections the band wouldn’t be entertaining.
I have to deal with this careful equilibrium every day in band, just as any other good musician would do. I am constantly listening to the people around me and fitting into their sound and balance of the band. The best balance that a band could achieve is more on the lower end and less on the higher end. That means that the low brass, such as tuba and trombone, have to play out more to achieve an amazing balance. It also means that the other sections have to listen to the lower instruments to fit into this texture. The whole point of an ensemble is not to make yourself sound good, but to make others sound better. Without careful balance, a song will be too heavy in one instrument; to the audience, if the trumpets play louder than the other sections—which is more rather than less—the other sections would sound small and like they aren’t even playing. Sadly, the Kennedy Wind Symphony has troubles figuring out what the correct balance is. Even though I, and my section, listen and fit our sound with the band, it doesn’t help if another section doesn’t listen. Band is probably one of the biggest team activities that I know. If one person plays the wrong note, or is too loud at a certain time, then the whole song has a negative effect on the listeners.
Generally, in the Kennedy Wind Symphony, the section that usually sticks out is the trumpets. I don’t know what it is about the trumpets that makes them think that they are better than any other section but I think that is part of the problem. Because they think they are better than everyone else, they might think that they should be allowed to play as loud as they want, whenever they want. That is what makes the wind symphony sound bad; the trumpets don’t want to accept that there are other players in the band. What makes it even worse, is that the trumpets don’t have the best sound so when they do play out it drops the whole band a couple of levels. If the trumpets were good I wouldn’t be as upset when they play out when they shouldn’t.
The key to a great band or small ensemble is balance; without it, bands would not sound as full or effective. Without balance the teeter-totter would merely be a stick lying on the ground. I always try my best to make the band teeter-totter fun and enjoyable, I just wish the rest of the band would see this and jump on.
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